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"Writer is a marvel of talent, energy"

Column by Cary Clack, San Antonio Express-News, Nov. 29, 2008

By the time the sun sets this evening there are any number of thing that Bryce Milligan may have done. He could have written a chapter or two of his new novel and, if he gets stuck, switch over to a poem that's not quite complete, maybe do a book review, start a new play or children's book or, if suddenly inspired, whip up a song for the CD he's working on.

If the guitar or drums he's playing don't sound right, he might begin making a new guitar or drums before editing the manuscripts and designing the covers for the dozen or so books by other writers his publishing company will publish over the next few months. If he gets bored he may build a new bookshelf and, if he has a spare hour before going to bed, he may indulge his love for science, especially astronomy, by scoping out the stars.

So what did you do today?

The time we're given on this Earth is uncertain and the talents we're blessed with are often untapped. But time, like talent, is what we make of it.

You won't find many people who make better use of their time and talents than Milligan, one of San Antonio's best-known writers and a literary godfather in this community.

The scope of the 55-year-old's career and the range of things he's done are fascinating. To sum up that career, he either is or has been a novelist, essayist, short-story writer, poet, essayist, folk singer/song writer, musician, instrument maker, carpenter, a rare book bibliographer and appraiser, a college English and creative-writing instructor, arts administrator, book and magazine publisher, book designer and publisher and — the least impressive of his jobs — a newspaper columnist.

"Bryce Milligan is the kind of guy you'd like to hate," says award-winning writer Robert Flynn, whose short memoir, "Burying the Farm" was published earlier this year by Milligan's Wings Press. "Not only can he do anything you can do and do it better, he can do things you can't do. I asked him if he could play a musical instrument — I can't — but at least it would be something he couldn't do. Not only can he play a musical instrument, he sings songs that he has written, accompanying himself on instruments that he made. That's hard to like."

For his part, Milligan says, "I'm sure a lot of people think I'm creative but I'm just trying to pay my bills."

At the center of his creativity is his passion for books and the written word that was ignited as a child while reading "The Adventures of Huckleberry Finn" in a tree in his backyard home in Dallas. The poetry and criticism he's written for adults and the fiction he's written for children and young adults earned him the title of "literary wizard" from Bloomsbury Review.

"Books are everything," he says. "Everything you can do you can learn from books."

Much of what he does begins at the Southtown home he shares with his wife, librarian and writer Mary Guerrero Milligan. It's a neighborhood where, every Christmas season, the Milligans celebrate the Mexican religious Christmas tradition of Las Posadas as Milligan, guitar in hand, leads "pilgrims" door to door in song before ending up at their home for plentiful food, drink and holiday cheer. It's the home where they raised their two children, Michael, an astrophysicist and astronomer, and Brigid, a communications manager for Morgan Stanley in New York.

Milligan's office is out back in a blue carriage house, on a second floor that's a writer's delight with bookshelves holding most of the 20,000 books that he owns. On the walls throughout the several rooms are letters and poems to Milligan signed by the likes of Seamus Heaney, Stephen Spender, Joy Harjo and Robert Bly. There's a thank you note from J.R.R. Tolkien.

Tucked in a corner in one room is a recording studio he's built and where he's recording a CD of folk songs. In the room where he writes are two of his guitars, a music stand with a songbook, and, at his desk on his computer screen, next to a bottle of Jameson Irish whiskey, is Milligan's latest literary project.

It's a simple little thing, really: a series of novels about Enheduanna, a woman who was the first-known writer in the history of the world. It's a project Milligan prepared for by spending several years learning cuneiform writing and the Sumerian language of 2,300 B.C. Milligan, fluent in Spanish, also reads in several other languages, including Latin, Greek, Welsh, Norse, Anglo Saxon English, Middle English and Old Irish.

"I want to learn Finnish but it's too far out there," he says.

Even the novel he's writing and the desk he's writing it on are a cross-fertilization of his creativity. Last spring, while working on the book, he took a break to retrieve a cedar tree cut down across the alley and made his new desk out of it.

"Everything is related to creativity," says Milligan. "When I can't write, I'll build something."

In addition to his own work, Milligan edits, designs and markets the publications produced by Wings Press, his highly respected publishing company, which was profiled last year in Poets & Writers Magazine. He can only publish a very small number of the 60-70 submissions he gets each week. He calls some of the manuscripts he has to turn down "wonderful stuff" and calls what he does at Wings Press "necessary work, especially for young writers, non-writers and people of different ethnicities, faiths and perspectives who wouldn't make it into the mainstream press.

"I'm attracted to people who are creative," he says.

Writer Flynn says of Milligan, "He's every writer's friend, not just as a friend who can do anything you can and not talk about it, but as moral and morale supporter.

Milligan's Renaissance qualities are rooted in believing in himself. "I never thought that I couldn't do something," he says.

And yet . . .

Recently, Milligan was showing off the gazebo he built over the summer. The gazebo was marvelously crafted but then Milligan looked with disappointment at his yard and said, "I can't grow grass."

Aha!

Cary Clack's column appears on Sundays, Tuesdays and Thursdays. To leave him a message call (210) 350-3486 or e-mail at cclack@express-news.net

About Bryce Milligan

Born in Dallas, Texas, Bryce Milligan has lived in San Antonio since 1977. Among other things, he has been a folksinger, a maker of guitars, drums and dulcimers, a carpenter, a rare book bibliographer and appraiser, a college English and creative writing instructor, a poet-in-the-schools, an arts administrator, a book and magazine editor, a book designer, and a publisher. As a writer, he has been a newspaper columnist, a freelance journalist, a scholar, a novelist, a poet, a playwright, and an essayist. It has been an interesting life.

Bryce MilliganMilligan is the author of five historical novels and short story collections for young adults, including the award-winning With the Wind, Kevin Dolan (Corona Publishing, 1987), which was recently republished in Germany.

Milligan is also the author of four collections of poetry, Daysleepers & Other Poems (1984), Litany Sung at Hell's Gate (1991), From Inside the Tree (cassette, 1990, 1994) and Working the Stone (Wings Press, 1994). In The Texas Observer, critic A. E. Mares compared Working the Stone to the poems of Seamus Heaney and Donald Hall. Milligan is also the author of five locally produced plays and well over 1,500 articles, essays, and reviews.

Milligan holds a M.A. in language and linguistics (Anglo-Saxon and Old Irish) from the University of Texas at Austin.

He has written extensively about Latino/Latina literature. Milligan is the primary editor (co-editors are Angela de Hoyos and Mary Guerrero Milligan) of the anthology Daughters of the Fifth Sun: A Collection of Latina Fiction and PoetryDaughters of the Fifth Sun Jacket (Putnam/Riverhead, 1995, paper1996). He is also one of the editors of a CD Rom, American Journeys: The Hispanic American Experience (Primary Source Media, 1995). A second major anthology, ¡Floricanto Sí!- U.S. Latina Poetry, will be published in the fall of 1997 by Penguin USA.

The founding editor of Pax: A Journal for Peace through Culture (1983-1987)and Vortex: A Critical Review (1986-1990), he became in 1995 the publisher/editor of Wings Press, one of the oldest continually operating small presses in Texas.

Milligan was the book critic for the San Antonio Express News from 1982 to 1987, and for the San Antonio Light from 1987 to 1990. He has taught English literature and composition, creative writing, and education courses at the University of Texas at San Antonio and at Palo Alto College. For three years he worked with the San Antonio ISD as a poet-in-the-schools.

In 1985, Milligan co-founded (with Sandra Cisneros) an event which evolved into the San Antonio Inter-American Bookfair. Currently, Milligan is the director of the literature program at the Guadalupe Cultural Arts Center in San Antonio. Activities directed by Milligan include the biennial "Hijas del Quinto Sol: Studies in Latina Identity" conference (co-hosted by St. Mary's University), the annual San Antonio Inter-American Bookfair and Literary Festival, the Lumbre reading series, a series of Summer Master's Classes in creative writing, various community outreach classes in creative writing and Latino literature, and an annual PBS-televised poetry slam for young adults.

Milligan and his wife of 22 years, short story writer and librarian Mary Guerrero Milligan, live in a 110-year-old house in downtown San Antonio with their two children, three cats, and 15,000 books.

From The Critics

"Milligan is a real poet, with the real poet's sure voice, richness and variety, technical skill, and above all, delight in risk. . . He pulls out all the stops, and because he knows so surely what he's talking about, and has an ear so unerring and an eye so partisan yet unblinking, he gets away with it. Reading him is a joy."— John Gardner

"Here is an ancient intuitive vision and unity brought to the modern experience. Here is a poet who will delight those who revere the word. "— Daisy Aldan

"This is poetry that blends academia and real life. . . and generates solid realms of surprise."Dallas Morning News

"Truly exceptional work. Milligan makes clear the potential for visionary poetry in Texas."— Dave Oliphant

"Here is a life lived &on the strength of words / and the memory of blood." Poems wise as clouds. Poems as witness, as testimonio. Milligan is one who casts his luck, echa su suerte con los pobres y los muertos. A drumsong, a bellsong, to set free the paper cranes in all our hearts."— Sandra Cisneros

Working the Stone"The first work by Bryce Milligan I read was Working the Stone in the mid-1990s. I was moved then by the lyricism of his language, his aesthetic commitment, and the honesty of of his political stance. Subsequently, I have read more of his work, heard him read his poetry, heard him sing songs he has written, and heard him play musical instruments – Milligan is a true bard-poet, in short a troubador." — Sudeep Sen

Milligan is the author of four historical novels and short story collections for young adults, including:

Milligan is also the author of five collections of poetry:

Bridig's CloakIn The Texas Observer, critic A. E. Mares compared Working the Stone to the poems of Seamus Heaney and Donald Hall. Milligan is also the author of five locally produced plays and well over 2,000 articles, essays, and reviews. In September 2002, Milligan's first illustrated children's book, Brigid's Cloak: An Ancient Irish Story, was published by Eerdmans in Sept. 2002, and gained a starred review in Publishers Weekly.. In March 2002, Holiday House published his second illustrated children's book, The Prince of Ireland and the Three Magic StallionsThe Prince of Ireland and the Three Magic Stallions, which garnered a starred review in the American Library Association journal, Booklist.

On Reputation

More than any individual I can think of, Mr. Milligan has been intensely active and supremely successful in fostering both a public awareness and involvement in the humanities in Texas. . . . There are many notable people I have seen and known who have passed through the literary rhythms of our state. Some have been remarkable in terms of energy and quality of vision. Mr. Milligan, however, stands out above those noble figures for several reasons: the fine quality of his work and the genuine effectiveness of his efforts. — Prof. James Hoggard, Poet Laureate of Texas

No male scholar in this country has done so much for Latina writers as has Bryce Milligan. His support for us — in newspaper articles, book reviews, scholarly articles, community activism and publishing — began thirty years ago. The very first review of my own book, The House on Mango Street, to appear in a major newspaper came from Milligan's typewriter. I cannot even express to you how far ahead of the curve he was in recognizing the importance of that slim volume. Consider that he single-handedly created the first annual academic conference dedicated to Latina literature Ð and he didn't even work at a university. His anthologies have proven to be of ground-breaking importance. His assistance to younger Latina writers over the years has shown a depth of commitment that has earned him a level of trust we do not usually accord to mainstream males.— Sandra Cisneros, novelist, poet

Pinecones Podcast

Available soon: podcast of an interview with Bryce, together with a reading and a few songs

Books By Bryce Milligan